Untitled 5

2010

There's a few traits I fell in love with here. First is using noise to diffuse gradients and create more depth of field. The second is trying to establish a stronger sense of visual depth. Depth in any piece is what takes something from good to great. This also was when I decided to start at print sizes and work only in print sizes going forward. 300dpi to start. It feels unfinished, but it still represents a lot to me.